Nigerian artists new music videos

There’s something beautiful about weekends in Nigeria, especially when the music feels new again. The streets hum, parties warm up, and playlists start to bloom with the same songs everyone secretly plays when no one’s watching. This weekend, we’re not chasing nostalgia, we’re chasing not the visuals, the vibes, the sounds that make today feel alive.

From Ayra Starr’s sultry magic to Shallipopi’s chaotic charm, this week’s picks carry stories of love, rebellion, and pure joy. Each video is more than a clip, it’s a little film in its own right, crafted with color, feeling, and a kind of creative hunger that only Nigerian artists seem to master. These are the visuals you’ll be talking about, replaying, maybe even stealing ideas from. Let’s get into them.

Odumodublvck & Wizkid – “Big Time”

“Big Time” feels like a slow burn of confidence, the kind that doesn’t need to shout to prove anything. Wizkid floats through the frames with that signature quiet aura, while Odumodublvck brings raw street grit together, they make wealth look spiritual.

The video blends sleek luxury with unfiltered Lagos texture, moving between dimly lit rooms, sharp silhouettes, and that heavy atmosphere that smells like power. Every scene looks intentional, like a man who already owns the city and just came out to remind you.

It’s not about noise, it’s about presence. The edit rides the rhythm in calm motion no chaos, just control. It’s a visual sermon on grace under pressure.

Ayra Starr & Rema – “Who’s Dat Girl”

There’s something cinematic about this one, like a music video that accidentally became a love story. Ayra Starr glides through glossy sets with a confidence that feels earned, her every glance a message, her every turn a move. Rema slips in like a beautiful distraction, smooth, mischievous, unpredictable. The lighting feels like early morning after a long night out, soft yet full of life.
The video reminds you that chemistry doesn’t need words, just rhythm and presence. It’s youthful but grounded, a visual reminder that African pop can hold global polish without losing its soul.

Yemi Alade – “Mbali”

This video is joy in motion. From the opening shot, Yemi Alade radiates energy that feels contagious. Her moves are loud but clean, her smile wide, and her styling a full celebration of African prints. The choreography feels like a reunion with happiness itself.
It’s the kind of video that makes you want to leave your phone and dance with whoever’s around. Even the background dancers look genuinely happy to be there. “Mbali” is not just a song, it’s a reminder to breathe, to dance, to live a little louder.

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Joeboy & Shoday – “Ring”

Soft, cinematic, and emotionally charged, “Ring” is Joeboy in storytelling mode again. The visuals are intimate, two lovers in slow motion, bathed in golden light that feels like memory. Shoday’s tone blends seamlessly into Joeboy’s warmth, giving the song the feel of a private conversation turned into melody.
There’s no noise here, no unnecessary glamour, just emotion. It’s that kind of simplicity that hits hardest, especially for anyone who’s ever loved and lost.

Odumodublvck – “Pay Me”

Odumodu brings theatre to the streets again. “Pay Me” feels like a movie hidden inside a rap video gritty, angry, and alive. There’s smoke, tension, and that signature rawness he never hides. He’s not performing for the camera; he’s living in it.
You can feel the hunger in his voice, the fire in every verse. The video carries that same restless energy, the kind that makes you want to create, fight, and conquer all at once.

Olamide – “Luvaluvah”

“Luvaluvah” is the kind of video you play before a Friday night out. It’s colorful, rhythmic, and bold without trying too hard. Olamide looks like a man having fun with his own legend. The scenes roll fast flashy cars, coded gestures, pretty faces, and movement everywhere.
It’s a vibe piece, not a story, and that’s what makes it addictive. The camera doesn’t overthink it; it just rides the energy like a wave.

Shallipopi – “Na So”

Every frame of “Na So” screams confidence. Shallipopi moves like a man who knows exactly what he’s doing no scripts, no filters, just flair. The colors pop, the outfits are wild, and the editing feels intentionally chaotic. It’s not polished perfection, it’s calculated madness, and that’s what makes it real.
The song itself carries that playful Benin swagger, the kind that turns a casual listener into a fan before the second verse ends.

Closing Thoughts: The Energy Feels Different

This week feels like a turning point. Nigerian music isn’t just trending; it’s maturing becoming its own cinema. You can sense a deeper conversation between sound and image, rhythm and light, emotion and ego. Everyone’s pushing the boundary a little further, and somehow, we all benefit.

So, whatever your plan is this weekend, plug in your earphones, dim the lights, and let these visuals carry you. Watch like a fan but think like a creator. Because the new wave isn’t coming it’s already here.

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